“Don’t forget your promise,” he reminded her, when they parted. “I shall tell Mary she may write to you.” Madame Lelanne must have carried her down the ladder. She was standing in the yard, and the dust was choking her. Across the street, beyond the ruins of the hospital, swarms of men were running about like ants when their nest has been disturbed. Some were running this way, and some that. And then they would turn and run back again, making dancing movements round one another and jostling one another. The guns had ceased; and instead, it sounded as if all the babies in the world were playing with their rattles. Suddenly Madame Lelanne reappeared out of the dust, and seizing Joan, dragged her through a dark opening and down a flight of steps, and then left her. She was in a great vaulted cellar. A faint light crept in through a grated window at the other end. There was a long table against the wall, and in front of it a bench. She staggered to it and sat down, leaning against the damp wall. The place was very silent. Suddenly she began to laugh. She tried to stop herself, but couldn’t. And then she heard footsteps descending, and her memory came back to her with a rush. They were German footsteps, she felt sure by the sound: they were so slow and heavy. They should not find her in hysterics, anyhow. She fixed her teeth into the wooden table in front of her and held on to it with clenched hands. She had recovered herself before the footsteps had finished their descent. With a relief that made it difficult for her not to begin laughing again, she found it was Madame Lelanne and Monsieur Dubos. They were carrying something between them. She hardly recognized Dubos at first. His beard was gone, and a line of flaming scars had taken its place. They laid their burden on the table. It was one of the wounded men from the hut. They told her they were bringing down two more. The hut itself had not been hit, but the roof had been torn off by the force of the explosion, and the others had been killed by the falling beams. Joan wanted to return with them, but Madame Lelanne had assumed an air of authority, and told her she would be more useful where she was. From the top of the steps they threw down bundles of straw, on which they laid the wounded men, and Joan tended them, while Madame Lelanne and the little chemist went up and down continuously. Before evening the place, considering all things, was fairly habitable. Madame Lelanne brought down the great stove from the hut; and breaking a pane of glass in the barred window, they fixed it up with its chimney and lighted it. From time to time the turmoil above them would break out again: the rattling, and sometimes a dull rumbling as of rushing water. But only a faint murmur of it penetrated into the cellar. Towards night it became quiet again.!

Joan did not speak for a time. She could see him grave—a little pompous, in his Sunday black, his footsteps creaking down the stone-flagged aisle, the silver-edged collecting bag held stiffly in his hand. “I thought you were something,” answered the girl. “I’m an artist. Or, rather, was,” she added after a pause.

She had lost her faith in journalism as a drum for the rousing of the people against wrong. Its beat had led too often to the trickster’s booth, to the cheap-jack’s rostrum. It had lost its rallying power. The popular Press had made the newspaper a byword for falsehood. Even its supporters, while reading it because it pandered to their passions, tickled their vices, and flattered their ignorance, despised and disbelieved it. Here and there, an honest journal advocated a reform, pleaded for the sweeping away of an injustice. The public shrugged its shoulders. Another newspaper stunt! A bid for popularity, for notoriety: with its consequent financial kudos. They walked in silence, and coming to a road that led back into the town, he turned down it. She had the feeling she was following him without his knowing it. A cab was standing outside the gate of a house, having just discharged its fare. He seemed to have suddenly recollected her. “Now, none of that,” he said severely. “It’s no good your thinking of me. I’m wedded to my art. We are talking about Mr. Halliday.”